CDs with: Roig-Francolí, Miguel A.

Compact discs for use with harmony in context

THE FUNDAMENTALS OF MUSIC -- Pitch: Notation and Intervals -- Rhythm and Meter -- Tonality: Scales, Keys, and Transposition -- Introduction to Species Counterpoint -- The Rudiments of Harmony I: Triads and Seventh Chords -- The Rudiments of Harmony II: Labeling Chords -- Musical Style -- DIATONIC HARMONY -- The Connection of Chords -- The Tonic and Dominant Triads in Root Position -- Harmonic Function; the Subdominant Triad in Root Position -- Texture; Triads in First Inversion -- Cadences -- Melodic Organization I: Phrase Structure -- Melodic Organization II: Thematic Development; Phrase Extension; Formal Functions -- Nonchord Tones -- 6/4 Chords -- The Supertonic; Metric Reduction -- Harmonic Rhythm. Hypermeter -- The Dominant Seventh and Its Inversions -- The Leading-Tone Triad -- The Mediant, Submediant, and Subtonic Triads; Diatonic Sequences -- Other Diatonic Seventh Chords -- Application: Diatonic Harmony in Context; Diatonic Functions and Performance -- CHROMATIC HARMONY AND FORM -- Secondary Dominants I -- Secondary Dominants II -- Secondary Leading-Tone Chords -- Modulation to Closely-Related Keys -- Small Forms: Binary and Ternary -- Contrapuntal Genres -- Modal Mixture. Variation Forms -- The Neapolitan and Augmented Sixth Chords -- Chromatic Modulatory Techniques; Modulation to Distantly Related Keys -- Introduction to Large Forms -- Expanding Functional Tonality: Extended Tertian Chords; Linear Chromaticism II -- The German Romantic Lied: Chromatic Harmony in Context -- 29 Toward (And Beyond) the Limits of Functional Tonality -- Non-Functional Pitch Centricity.

CD 2914

Harmony in context

WORKBOOK: THE FUNDAMENTALS OF MUSIC -- Pitch: Notation and Intervals -- Rhythm and Meter -- Tonality: Scales, Keys, and Transposition -- Introduction to Species Counterpoint -- The Rudiments of Harmony I: Triads and Seventh Chords -- The Rudiments of Harmony II: Labeling Chords -- DIATONIC HARMONY -- The Connection of Chords -- The Tonic and Dominant Triads in Root Position -- Harmonic Function; the Subdominant Triad in Root Position -- Texture; Triads in First Inversion -- Cadences -- Melodic Organization I: Phrase Structure -- Melodic Organization II: Thematic Development; Phrase Extension; Formal Functions -- Nonchord Tones -- 6/4 Chords -- The Supertonic; Metric Reduction -- Harmonic Rhythm. Hypermeter -- The Dominant Seventh and Its Inversions -- The Leading-Tone Triad -- The Mediant, Submediant, and Subtonic Triads; Diatonic Sequences -- Other Diatonic Seventh Chords -- CHROMATIC HARMONY AND FORM -- Secondary Dominants I -- Secondary Dominants II -- Secondary Leading-Tone Chords -- Modulation to Closely-Related Keys -- Small Forms: Binary and Ternary -- Contrapuntal Genres -- Modal Mixture. Variation Forms -- The Neapolitan and Augmented Sixth Chords -- Chromatic Modulatory Techniques; Modulation to Distantly Related Keys -- Introduction to Large Forms -- Expanding Functional Tonality: Extended Tertian Chords; Linear Chromaticism II -- The German Romantic Lied: Chromatic Harmony in Context -- 29 Toward (And Beyond) the Limits of Functional Tonality -- Non-Functional Pitch Centricity. ANTHOLOGY: Includes scores for works by Tomas Luis de Victoria, Johann Jakob Walther, Henry Purcell, Friedrich WIlhelm Zachau, Antonio Vivaldi, J.S. Bach, George Frideric Handel, Anna Amalie, Joseph Haydn, Joseph Boulogne, Chevalier de Saint-Georges, W.A> Mozart, Maria Theresia von Paradis, L. van Beethoven, Friedrich Kuhlau, Franz Schubert, Fanny Mendelssohn Hensel, Frederic Chopin, Robert Schumann, Franz Liszt, Giuseppe Verdi, Clara Schumann, Hugo Wolf, Richard Strass, Amy Beach, Igor Stravinsky.

CD 2915

Harmony in context / Miguel A. Roig-Francolí.

THE FUNDAMENTALS OF MUSIC -- Pitch: Notation and Intervals -- Rhythm and Meter -- Tonality: Scales, Keys, and Transposition -- Introduction to Species Counterpoint -- The Rudiments of Harmony I: Triads and Seventh Chords -- The Rudiments of Harmony II: Labeling Chords -- Musical Style -- DIATONIC HARMONY -- The Connection of Chords -- The Tonic and Dominant Triads in Root Position -- Harmonic Function; the Subdominant Triad in Root Position -- Texture; Triads in First Inversion -- Cadences -- Melodic Organization I: Phrase Structure -- Melodic Organization II: Thematic Development; Phrase Extension; Formal Functions -- Nonchord Tones -- 6/4 Chords -- The Supertonic; Metric Reduction -- Harmonic Rhythm. Hypermeter -- The Dominant Seventh and Its Inversions -- The Leading-Tone Triad -- The Mediant, Submediant, and Subtonic Triads; Diatonic Sequences -- Other Diatonic Seventh Chords -- Application: Diatonic Harmony in Context; Diatonic Functions and Performance -- CHROMATIC HARMONY AND FORM -- Secondary Dominants I -- Secondary Dominants II -- Secondary Leading-Tone Chords -- Modulation to Closely-Related Keys -- Small Forms: Binary and Ternary -- Contrapuntal Genres -- Modal Mixture. Variation Forms -- The Neapolitan and Augmented Sixth Chords -- Chromatic Modulatory Techniques; Modulation to Distantly Related Keys -- Introduction to Large Forms -- Expanding Functional Tonality: Extended Tertian Chords; Linear Chromaticism II -- The German Romantic Lied: Chromatic Harmony in Context -- 29 Toward (And Beyond) the Limits of Functional Tonality -- Non-Functional Pitch Centricity.

CD 2914

Workbook and anthology for use with Harmony in context / Miguel A. Roig-Francolí.

WORKBOOK: THE FUNDAMENTALS OF MUSIC -- Pitch: Notation and Intervals -- Rhythm and Meter -- Tonality: Scales, Keys, and Transposition -- Introduction to Species Counterpoint -- The Rudiments of Harmony I: Triads and Seventh Chords -- The Rudiments of Harmony II: Labeling Chords -- DIATONIC HARMONY -- The Connection of Chords -- The Tonic and Dominant Triads in Root Position -- Harmonic Function; the Subdominant Triad in Root Position -- Texture; Triads in First Inversion -- Cadences -- Melodic Organization I: Phrase Structure -- Melodic Organization II: Thematic Development; Phrase Extension; Formal Functions -- Nonchord Tones -- 6/4 Chords -- The Supertonic; Metric Reduction -- Harmonic Rhythm. Hypermeter -- The Dominant Seventh and Its Inversions -- The Leading-Tone Triad -- The Mediant, Submediant, and Subtonic Triads; Diatonic Sequences -- Other Diatonic Seventh Chords -- CHROMATIC HARMONY AND FORM -- Secondary Dominants I -- Secondary Dominants II -- Secondary Leading-Tone Chords -- Modulation to Closely-Related Keys -- Small Forms: Binary and Ternary -- Contrapuntal Genres -- Modal Mixture. Variation Forms -- The Neapolitan and Augmented Sixth Chords -- Chromatic Modulatory Techniques; Modulation to Distantly Related Keys -- Introduction to Large Forms -- Expanding Functional Tonality: Extended Tertian Chords; Linear Chromaticism II -- The German Romantic Lied: Chromatic Harmony in Context -- 29 Toward (And Beyond) the Limits of Functional Tonality -- Non-Functional Pitch Centricity. ANTHOLOGY: Includes scores for works by Tomas Luis de Victoria, Johann Jakob Walther, Henry Purcell, Friedrich WIlhelm Zachau, Antonio Vivaldi, J.S. Bach, George Frideric Handel, Anna Amalie, Joseph Haydn, Joseph Boulogne, Chevalier de Saint-Georges, W.A> Mozart, Maria Theresia von Paradis, L. van Beethoven, Friedrich Kuhlau, Franz Schubert, Fanny Mendelssohn Hensel, Frederic Chopin, Robert Schumann, Franz Liszt, Giuseppe Verdi, Clara Schumann, Hugo Wolf, Richard Strass, Amy Beach, Igor Stravinsky.

CD 2915